Figures in Transition: The Half- Open Door Motif on the Velletri Sarcophagus / Patricia Tabascio.pdf

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Figures in Transition: The Half- Open Door Motif on the Velletri Sarcophagus / Patricia Tabascio.pdf
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  26 ChronikaPatricia Tabascio Figures in Transition: The Half-Open Door Motif on the Velletri  Sarcophagus Patricia Tabascio                                                                                                                                                                         27 Institute for European and Mediterranean ArchaeologyFigures in Transition: The Half  Introduction                  architectural barrier is accessible; that an                                                            1                              2                                                                                                   3                                             4                                  centuries, 5            6                                           28 ChronikaPatricia Tabascio                                                           29 Institute for European and Mediterranean ArchaeologyFigures in Transition: The Half           7                  8  makes                                                                            9                               11           12                                                                                                                                                                                                                                                                                                                 30 ChronikaPatricia Tabascio                                                                                                          13                                                                                                14                                              scenes                      15                              virtues such as  pietas  and   16  In the adjacent scene the shrouded shade                      a                                                       17                                                                              18                                                                                                         
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